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The Canon XL1 is assisting to blur the fishing line between consumer and professional video equipment. Though it’s small enough to hold around as well as doesn’t cost much over a top-of-the-line consumer camcorder, the XL1 produces such high-quality results that lots of independent filmmakers have started using it instead of your traditional film camera.
Great movies focus on great CCD sensors, and Canon cuts no corners here. For the ideal picture quality, they use three separate 270,000 pixel CCDs (one per primary color). To help improve image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This shift allows more accurate interpolation, resulting in a image that Canon claims rivals those from cameras with 410,000 pixel CCDs. Each pixel is 72 square microns, which is about 1.5 times the size as those invoved with competing camcorders. This increased size increases light sensitivity, allowing that you shoot in lower-light situations. Ultimately, the bigger pixel size results in a improvement of 4 years old dB in sensitivity.
The XL1′s body relies on a magnesium-alloy frame for optimum durability. It ships with a 16x optical zoom lens with optical image stabilization, but can be compatible with other XL camcorder lenses. With an optional adapter, you are able to use Canon EF (EOS) still camera lenses–some ones also feature optical image stabilization.
Though the camera’s built-in microphone has an incredible frequency response, the XL1 can also accept balanced microphones using the optional MA-100 microphone adapter/shoulder pad. The XL1 records digital audio, with two channels of 16 bit/48 KHz sound or 4 channels of 12 bit/32 KHz sound.
The electronics with the XL1 have some of advanced features, together with a number of programmed AE modes, at the same time as both shutter and aperture priority modes. You will find two different auto modes, certainly one of that allows one to adjust any setting manually, should you want, and also the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight mode automatically compensates for difficulties when shooting a subject bathed in the spotlight. There may also be three different shooting modes: Normal Movie, Digital Photo, and Frame Movie. Normal Movie mode is for any time you want to shoot video footage. Digital photo mode records a still image for six seconds around the mini DV tape and in addition captures any audio, such as being a commentary. The Frame Movie Mode records 30 noninterlaced still images per second, instead of capturing 60 fps interlaced images. This mode isn’t intended being used for shooting video (playback might not look completely smooth). Rather, Frame Movie mode ought to be used like a burst, or continuous, shooting mode, like you’d find on the still camera.
The XL1 uses an IEEE 1394 port for digital editing and for transferring footage to and using their company IEEE 1394 compliant devices. The camcorder also offers RCA (composite) audio and video ports, and an S-Video out. The XL1 features a LANC terminal for editing with compatible controllers.
This mini DV offers great image quality and full digital power. The XL1′s design and manual controls offer the widest array of picture possibilities. In daylight or lowlight, if your subject is near or far, this cutting edge camera adjusts its settings to provide you with the finest in resolution, magnification and color reproduction. Additional features include top grip with recording controls, standard optical 16x contact with SuperRange optical image stabilizer and 3 shooting modes.
Broadcast-quality 3 CCD Mini DV camcorder
Interchangeable lenses–can use Canon EOS SLR lenses with adapter
Pixel-shift technology enhances image quality
Included lens features optical image stabilization
PCM digital stereo audio